Lord of the Flies Essay on Pathetic Fallacy Essay

This is our island. Its a good island. (Golding 35). Contradictory to this quote, temperament is neer to be claimed by man, nor is always good- it is man that is controlled by the dynamically ever-changing nature. In Lord of the Flies, William Golding reveals the natures beauty and power by personifying the island into a divine whiz that both rewards and punishes civilization and savagery. In allowing the vivid elements to influence the boys behavior, Golding uses the relationships amidst the individual boys and the island, with consequences for their actions.The benevolent and generous side of the islands nature is seen with Simon, the most civilized and humane individual in the group. When Simon walks whole done the forest in chapter 3, his delicate and admiring attitude towards nature is at a time rewarded. When Simon is rushed by the littluns who were frustrated by unsuccessful attempts at raiding a tree of its fruits, he is compensated by double handfuls of modern fru it (56). Here we see the stark difference in the islands treatment to the disrespectful and the respectful.Golding uses the islands personification that rejects those who cry nintelligibly (56) while cherishing Simons gentle nature to magnify the islands abundant, yet unforgiving inseparable setting. The islands nourishing treatment to civilization doesnt end there, as it continues to prove its comforting nature when Simon is alone by himself. After demonstrations of Simons respect towards the island- such as when he places fallen leaves back into their places-, honey oil sepals drew back a little and the white tips of the flowers rose fine (57). Golding uses this adoration of the island towards Simons presence to enhance the original gentleness of the islands atural setting. Nature is emphasized in this particular part of the novel as peaceful and comforting.Golding breathes generosity and gentleness into the islands personality to magnify and amplify its raw(a) beauty. Howeve r, despite the island is pleasant and rewarding -it is a good island, subsequently all- Golding makes sure to reveal the judgemental and leaden side of the island to the savagery of the other boys. The sentience of the island bequeathn by Golding is provoked first by the boys- as before long as they get together, they decide to set a fire.Initially first a rescuation signal fire, the boys end up creating a massive madhouse that laid hold on the forest and began to gnaw (44). The pain that the island goes through is reacted towards by the boys with shrill, excited cheering (44). This ecstatic sensation of destruction of nature stimulates the boys wild instincts that later evolves into savagery and bloodthirst, that becomes the ultimate key to their self-destruction.The savagery that is launched from the fire, becomes an contumacious state of uneasiness the boys experience in the island. Even twat, the savage hunter, dmits, youre not hunting, but- being hunted. (53). Golding uses this state of fear to emphasize that the nature is an intimidating, and powerful force that can not be tamed by man. The natural setting of the island is enhanced through this relationship between savage Jack and the punishing island reminds the reader that nature is a force that is far great than an individuals power or ego. The boys attempts to conquer the island and destroy it still brought their submission into barbarism and a hard lesson that man will every compromise with nature, or else suffer.Golding personifies the island in order to establish silent relationships between the inanimate and actual characters. These relationships enable in many ways for the former to enhance both the beauty and intimidation of the islands natural settings and give depth to the storys given physical environment. Furthermore, one must also note the intricate ways the island adores civilization while punishing savagery not only enhances the plot setting within, but creates philosophica l sophistication and complexity of characters that enhances the novels general completion and exploit as a literary classic.